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Director of photography Raoul Coutard

Earlier this week saw the death of French cinematographer Raoul Coutard, who left an indelible mark on many key francophone films of the Nouvelle Vague and beyond. Coutard’s shooting style was at times unorthodox and a marked contrast to that of the traditionally lit and blocked “cinema du papa”—he had a lot to do with why films like Pierrot Le Fou and Shoot the Piano Player became hallmarks of Sixties Modernism and would still seem so novel and fresh in the following decades. Coutard shot, among other things, Costa-Gavra’s Z (surely among the top ten overtly political films of the 20th Century) and Philippe Garrel’s The Birth of Love (which I’d rank as one of thee great films of the 1990s…just impossibly charming). And of course that only scratches the surface. The New York Times published a nice obituary here. Rest in peace, Raoul.

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