
It was announced the other day that Janus Films has acquired the rights to the entire filmography of Jean Eustache. Which raises the question: is a Criterion boxset, something along the lines of The Complete Jean Eustache, in the works? This seems likely, though until the films get spine numbers or someone fills us non-insiders in, we won’t know for sure.
Either way, this news is extraordinary! A proper restoration and release of these films in some form has been long overdue. Painfully so, in fact. To date, I have only seen a few of them, but would rate them as among some of the best movies to have graced the latter half of the 20th Century. They’re that good.
Conveying the value of the late Eustache’s work to someone who hasn’t seen any of it yet could be difficult. The writer-director seems to have often been preoccupied with emotional states related to matters of the heart, the messiness of male-female relations, but with a more pronounced irreverent streak and less philosophical remove than someone like Eric Rohmer. There’s also the residue of political malaise in the mix. Eustache’s films are cooler than most, sometimes embodying an idling French bohemianism that contemporary directors would have trouble duplicating while maintaining the same watchability. Rather than being flashy, overall the films feel a bit subdued, more true to life in their willingness to be patient with the characters, their peculiar beats, their thoughts and affect, and so on. The screenplays alone, at least those pertaining to the ones I’ve seen, are uncommonly well devised–Bernadette Lafont was on the money when she asserted that that of The Mother and the Whore is worthy of being published in book form. But all of the preceding is just a cursory, early-morning stab at accounting for why these films are deserving of one’s time, something that would (hopefully) become more apparent upon watching them.
Unfortunately what with Eustache’s work being largely out of circulation and underrepresented for so long, its stature has been obscured somewhat, if not exactly in limbo. These films being reissued in one form or another will be a corrective cinephiles the world over can embrace. So keep your eyes peeled!
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